Wednesday, February 01, 2006

It’s the first of the month…

Andrew’s bball team won their first game yesterday! I hear he showed off some fancy footwork! I didn’t get to see the game – I was at home in bed, drugged up on Nyquil. I know it’s the cold/flu season, and everyone I know has gotten it sometime during the last few months … but I swear this is the 3rd time I’ve been sick since September. The first 2 x’s the dr. blamed it on respiratory issues (asthma/ allergies/pregnancy), but this time I think it’s just a stupid cold.
BLAH! But… in the mail yesterday afternoon (in perfect timing to cheer me up) was a package from my wonderful friend Jeni. She sent me a CD by an artist named Shawn McDonald. I absolutely love it (esp.#11 Jeni. ~ I can’t wait to see you this weekend!). Anyway, if you’re looking for new music, this is an artist you might want to check out.

My actual purpose for posting today is to plug a movie:
End of the Spear
Review by Lisa Ann Cockrel | posted 01/20/06

The story has been told in Christian circles for 50 years. In 1956, five missionaries were brutally murdered in the Ecuadorian jungle by members of the Waodani tribe they went to serve. And then something amazing happened; the killers became Christians.
The martyr's names—Nate Saint, Jim Elliot, Pete Fleming, Ed McCully, and Roger Youderian—and their sacrifice galvanized a whole generation of missionaries who headed to foreign fields with the slain Elliot's words on their lips, "He is no fool who gives what he cannot keep to gain what he cannot lose." Now, a group of businessmen turned filmmakers is hoping the story will create a dialog between Christians and non-believers here at home.
End of the Spear features the events of 1956 from the perspectives of the Waodani tribe leader, Mincayani, a quasi-fictional figure played by Louie Lenardo, and Nate Saint's son, Steve, played as a boy by Chase Ellison and as an adult by Chad Allen. Mincayani is a "composite character" primarily based on the real character Mincaye, who was one of the men who killed the missionaries. Shot in Panama using members of the Embera tribe for all but a few key roles, the movie is a stirring, lush production that elevates the visual storytelling portfolio of independent Christian movies.
The story reaches back into Mincayani's childhood to show the violence that shaped his culture and mindset. He was probably around 20 years old when he first saw the yellow "woodbee" that was Nate Saint's small airplane buzzing above the trees. After a series of tentative contacts involving a bucket lowered from the plane by a long rope, Saint and his fellow missionaries decided to land and meet the natives face to face.
In their enthusiasm for reaching out to the Waodani people, the missionaries, especially Elliot, are depicted a bit like frat boys—goofy, exuberant, optimistic. On the beach that would become their graveyard, the men trade quips about their evangelistic efforts and ham it up for the camera that Saint was using to document their encounter. The result is a refreshing take on these men who've become like protestant saints but were, in reality, just young men embarking on a big adventure, albeit a holy one.
The interaction between the Waodani and the missionaries on the beach offers a few laugh-out-loud moments born out of awkward communication, but it inevitably grows grim. End of the Spear includes a recent revelation about what motivated the Waodani people to spear the missionaries—a lie told to cover an illicit romance—and doesn't turn its eyes from the resulting violence.
During the killings, Mincayani seems remorseful for reasons that aren't clear until much later in the movie. In fact, the movie's main weakness is the way it leaves holes in the audience's understanding of some of the characters' motivations. For example, we don't learn the reasoning behind the Waodani's murderous habits until late in the movie. And something as basic as who's related to whom within the Waodani tribe is sometimes confusing. It's likely that some of these holes in the narrative are the result of the many revisions the script went through.
But, some of the holes are by design.
If moviegoers leave the theater asking questions, so much the better as far as producer Mart Green is concerned. His company, Every Tribe Entertainment, also recently produced a companion documentary about the events of 1956, Beyond the Gates of Splendor, which has been circulating among churches. The hope is that the believer who's seen the documentary will be able to bring the non-believer, fresh from the multiplex, "deeper into the truth of the story."
And the truth of the story is this: God had a Son who was speared so that we all might know forgiveness. Mincayani and the Waodani learned this when Nate Saint's sister Rachel, along with two of the widows and their children, moved into the Waodani village in the wake of their loved ones' deaths. It was through their witness that much of the tribe converted to Christianity. And it's through the harrowing experience of two men as told in End of the Spear—Steve Saint and Mincaye, now as close as father and son—that moviegoers can learn the power of forgiveness and reconciliation.

As you may or may not know, one of my all time favorite authors is Elisabeth Elliot. Her first husband, Jim, was one of the martyrs spoken of above. She authored a book titled
  • Through the Gates of Splendor
  • which reflected upon the accounts she received when she went in to live with the Auca/Waodani, two years after the massacre. Her stance on the movie is somewhat unclear, as she states that the movie is NOT based on her book (Through the Gates of Splendor) though she did take part in the making of the documentary (Beyond the Gated of Splendor). In any case, I’m excited to see the movie. From what I hear it’s only going to be in theatres for a limited time!

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